Have a good week!
Have a good week!
Have a good week!
Jersey Rain
by Robert Pinsky
Now near the end of the middle stretch of road
What have I learned? Some earthly wiles. An art.
That often I cannot tell good fortune from bad,
That once had seemed so easy to tell apart.
The source of art and woe aslant in wind
Dissolves or nourishes everything it touches.
What roadbank gullies and ruts it doesn’t mend
It carves the deeper, boiling tawny in ditches.
It spends itself regardless into the ocean.
It stains and scours and makes things dark or bright:
Sweat of the moon, a shroud of benediction,
The chilly liquefaction of day to night,
The Jersey rain, my rain, soaks all as one:
It smites Metuchen, Rahway, Saddle River,
Fair Haven, Newark, Little Silver, Bayonne.
I feel it churning even in fair weather
To craze distinction, dry the same as wet.
In ripples of heat the August drought still feeds
Vapors in the sky that swell to smite the state —
The Jersey rain, my rain, in streams and beads
Of indissoluble grudge and aspiration:
Original milk, replenisher of grief,
Descending destroyer, arrowed source of passion,
Silver and black, executioner, font of life.
the beach at sunset
by Eloise Klein Healy
The cliff above where we stand is crumbling
and up on the Palisades
the sidewalks buckle like a broken conveyer belt.
Art Deco palm trees sway their hula skirts
in perfect unison
against a backdrop of gorgeous blue,
and for you I would try it,
though I have always forbidden myself to write
poems about the beach at sunset.
All the clichés for it sputter
like the first generation of neon,
and what attracts me anyway
are these four species of gulls we’ve identified,
their bodies turned into the wind,
and not one of them aware of their silly beauty.
I’m the one awash in pastels
and hoping to salvage the day, finally turning away
from the last light on the western shore
and the steady whoosh of waves driving in,
drumming insistently like the undeniable data
of the cancer in your breast.
We walk back to the car
and take the top down for the ride home
through the early mist.
No matter what else is happening,
this is California. You’ll have your cancer
at freeway speeds. I’ll drive and park
and drive at park. The hospital
when I arrive to visit will be catching
the last rays of the sun, glinting
like an architectural miracle realized.
I realize a miracle is what you need—
a grain of sand, a perfect world
where you live beyond the facts
of what your body has given you
as the first taste of death.
LOVE POEM TO LOS ANGELES
by Luis J. Rodriguez
with a respectful nod to Jack Hirschman
1.
To say I love Los Angeles is to say
I love its shadows and nightlights,
its meandering streets,
the stretch of sunset-colored beaches.
It’s to say I love the squawking wild parrots,
the palm trees that fail to topple in robust winds,
that within a half hour of L.A.’s center
you can cavort in snow, deserts, mountains, beaches.
This is a multi-layered city,
unceremoniously built on hills,
valleys, ravines.
Flying into Burbank airport in the day,
you observe gradations of trees and earth.
A “city” seems to be an afterthought,
skyscrapers popping up from the greenery,
guarded by the mighty San Gabriels.
2.
Layers of history reach deep,
run red, scarring the soul of the city,
a land where Chinese were lynched,
Mexican resistance fighters hounded,
workers and immigrants exploited,
Japanese removed to concentration camps,
blacks forced from farmlands in the South,
then segregated, diminished.
Here also are blessed native lands,
where first peoples like the Tataviam and Tongva
bonded with nature’s gifts;
people of peace, deep stature, loving hands.
Yet for all my love
I also abhor the “poison” time,
starting with Spanish settlers, the Missions,
where 80 percent of natives
who lived and worked in them died,
to the ruthless murder of Indians
during and after the Gold Rush,
the worst slaughter of tribes in the country.
From all manner of uprisings,
a city of acceptance began to emerge.
This is “riot city” after all—
more civil disturbances in Los Angeles
in the past hundred years
than any other city.
3.
To truly love L.A. you have to see it
with different eyes,
askew perhaps,
beyond the fantasy-induced Hollywood spectacles.
“El Lay” is also known
for the most violent street gangs,
the largest Skid Row,
the greatest number of poor.
Yet I loved L.A.
even during heroin-induced nods
or running down rain-soaked alleys or getting shot at.
Even when I slept in abandoned cars,
alongside the “concrete” river,
and during all-night movie showings
in downtown Art Deco theaters.
The city beckoned as I tried to escape
the prison-like grip of its shallowness,
sun-soaked image, suburban quiet,
all disarming,
hiding the murderous heart
that can beat at its center.
L.A. is also lovers’ embraces,
the most magnificent lies,
the largest commercial ports,
graveyard shifts,
poetry readings,
murals,
lowriding culture,
skateboarding,
a sound that hybridized
black, Mexican, as well as Asian
and white migrant cultures.
You wouldn’t have musicians like
Ritchie Valens, The Doors, War,
Los Lobos, Charles Wright &
the Watts 103rd Street Rhythm Band,
Hiroshima, Motley Crue, NWA, or Quetzal
without Los Angeles.
Or John Fante, Chester Himes, Charles Bukowski,
Marisela Norte, and Wanda Coleman as its jester poets.
4.
I love L.A., I can’t forget its smells,
I love to make love in L.A., i
it’s a great city, a city without a handle,
the world’s most mixed metropolis,
of intolerance and divisions,
how I love it, how I hate it,
Zootsuit “riots,” can’t stay away,
city of hungers, city of angers,
Ruben Salazar, Rodney King,
I’d like to kick its face in,
bone city, dried blood on walls,
wildfires, taunting dove wails,
car fumes and oil derricks,
water thievery,
with every industry possible
and still a “one-industry town,”
lined by those majestic palm trees
and like its people
with solid roots, supple trunks,
resilient.
To The Young Who Want To Die
by Gwendolyn Brooks
Sit down. Inhale. Exhale.
The gun will wait. The lake will wait.
The tall gall in the small seductive vial
will wait will wait:
will wait a week: will wait through April.
You do not have to die this certain day.
Death will abide, will pamper your postponement.
I assure you death will wait. Death has
a lot of time. Death can
attend to you tomorrow. Or next week. Death is
just down the street; is most obliging neighbor;
can meet you any moment.
You need not die today.
Stay here–through pout or pain or peskyness.
Stay here. See what the news is going to be tomorrow. Graves grow no green that you can use.
Remember, green’s your color. You are Spring.
Have a good week!
Instructions on Not Giving Up
by Ada Limón
More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.
Good Bones
by Maggie Smith
Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.
Cassidy B. Charles